Kyiv Contemporary Music Days (KCMD) announces a new edition of the Per Forma grant program, which will provide financial support of up to €8,000 for the implementation of projects and professional development of artists and collectives in the field of performing arts in Ukraine.
Applications are accepted from 3 March to 3 April 2026. The selected projects will be implemented between June and October 2026.
We at KCMD believe that culture is an important driver of change. We share this conviction with many cultural actors in Ukraine, who have repeatedly proven that cultural initiatives can indeed be a powerful transformative force in society. For more than ten years, we have been a part of these changes in the field of new music. Our experience has shown: No art form exists in a vacuum. Music, theater, dance, and other performing arts interact and reinforce one another. Each discipline has the potential to broaden the horizons of the other—to open up new formats, languages, and ways of thinking.
The first edition of Per Forma in 2024–2025 demonstrated how a single impulse can trigger systemic change. The 85 projects implemented became not only standalone artistic events, but also contributed to the development of a more vibrant and forward-looking Ukrainian scene. The program became a space for dialogue, reflection, rethinking cultural heritage, and searching for new identities. Learn more about 2024-2025 Per Forma winners here.
With the support of the Performing Arts Fund NL and the Ministry of Education, Culture and Science of the Netherlands, we are launching a new edition of the program to consolidate what has been achieved and create conditions for new ideas, collaborations, and forms to emerge, strengthening both individual disciplines and the connections between them.
The program provides grants for implementing projects and professional development of actors and collectives in the performing arts in Ukraine.
The following types of activities may be financed within the framework of the program:
Project implementation and accompanying expenses, namely: organization of a stage production, concert, festival, play, performance, educational event, etc.
Creation of new musical, theatrical, dance, performance work, new educational and curatorial programs, exhibitions, choreographic productions, conducting research, etc.
Professional needs, namely: purchasing materials and technical equipment; renting rehearsal spaces and studios; paying for labor, for example, to write music for an event or hire stage or costume designers; purchasing props needed to implement a project, etc.
You can apply for one of two types of support:
Small projects: the amount of support is up to 1,000 EUR* in the Ukrainian hryvnia equivalent (the exact amount is determined based on the estimate submitted by the applicant):
Features:
Both individuals and legal entities can apply;
More suitable for applicants with less experience in project implementation;
Reporting is simpler compared to large projects;
The submitted project does not necessarily need to have public results.
Large projects: the amount of support is from 1,000 to 8,000 EUR* in the Ukrainian hryvnia equivalent (the exact amount is determined based on the estimate submitted by the applicant):
Features:
Only legal entities may apply;
The submitted project must include a public presentation (e.g., a concert with commissioned works, a theatrical performance, etc.);
Applicant organizations must have an accountant on the project team;
For projects with a budget of more than €2,000, the grant will be paid in two installments: 80% in advance and 20% upon completion of the project.
* — Amounts are inclusive of taxes.
The total prize fund for the program is €202,000.
Ukrainian actors and collectives working in the following fields:
music;
dance;
theater, including improv and puppet theater;
spoken word;
performance art;
circus art;
pantomime;
stand-up comedy;
other performing arts.
You can apply individually to support your personal project or submit a group application to implement a collective project. Contracts will be signed with natural persons,* private, state organizations, or NGOs, depending on the needs and capabilities of the applicants.
Please note that the applicant’s legal status will affect the amount of taxation of the grant payment under Ukrainian legislation. In the application form, you will find a tax calculation template helping you better understand how much of the grant you can expect to receive after taxes, according to your legal status.
* — Individuals may only apply for small projects.
Projects must be implemented in Ukraine.
Program winners must implement their projects between 1 June and 16 October 2026, and report on their implementation. Narrative and financial reports from grant recipients must be submitted no later than three weeks after the project's completion, but all must be submitted by 30 October 2026.
All funds from the received grant must be used for the planned activities specified in the application. Applicants can also finance their projects from other sources and scale them accordingly.
To apply for Per Forma, you must complete the online application and submit all required documents by 3 April 2026, at 14:00 Kyiv time.
We recommend doing so as soon as possible, as there is a limit of 500 accepted applications. Once this number is reached, we will stop accepting applications and announce it on this page and on our social media channels.
The selection results will be announced in May 2026. All applicants will be informed of the selection results by email. Contact address for questions: performa@kcmd.eu.
Applicants must meet the following formal criteria:
a commitment, declared in the application form, to implement the project in Ukraine;
(for individuals) legal age (18 years or older);
(for individuals) citizenship/residency in Ukraine;
(for individuals who are not Ukrainian citizens) documented experience of active professional activity in Ukraine in recent years;
(for legal entities) registration in Ukraine no later than 1 March 2025;
(for legal entities submitting large projects) a commitment to involve an accountant in the project, signed by the head of the applicant organization and the accountant.
Applications will be evaluated according to the following qualitative criteria:
previous experience in implementing projects in the sector (less relevant for small projects);
project concept’s coherence, thoroughness, and relevance;
budget’s feasibility and comprehensiveness (all key items of expenditure are covered);
project plan’s feasibility, comprehensiveness, and thoroughness;
vision of short- and long-term impact on the applicant's career and the cultural sector (the applicant's vision of where they are going professionally and how the proposed project will affect them personally and their professional community);
innovation in approach;
social inclusion and accessibility.
Pylypennia
“De-Center” Spontaneous Dance Association NGO
MIZH: Interdisciplinary Laboratory of Performative Practices
“Ksi Prostir” NGO
EM-visia 2026 - Non-Folk-Instruments
Association of Electroacoustic Music at the National Composers` Union Organization of Ukraine
As my grandmother used to say...
“Kultmotyv” Charitable Foundation
“Microphysics”: a concert series by Ensemble 24 new music ensemble
“DakhTrio” NGO
The Antonin Artaud Fellowship 2026: New Works in Kyiv
“Proto Produkciia Foundation” Charitable Organization
“Shelter Plus: A Cultural and Social Ecosystem for Resilience”
“Shelter Plus Charitable Foundation” Charitable Organization
Dzyga Jazz Fest
“Dzyga” Art Association, LLC
Bakota Soundscape
Khmelnytskyi Regional Youth Community Association “Territory” NGO
People of the Landscape
“Society of Greeks of the Azov Region ‘ENOSIS’” NGO
“From Harvest to Christmas” Performance Festival
“Serebrynchanka” NGO
Transgression No. 2: A Concert of Instrumental and Electronic Music and a Workshop for Musicians
“UNIGHT” NGO
Performance Art Residency
“Artsvit Gallery” Charitable Foundation for Art Support
Interactive sensory musical performance “The Magic Window”
"'Tempo' Center for Musical Development" NGO
Taste Without Barriers
“Sun in You” NGO
5th Mytnytsia Festival of New Directing 2026
Kyiv Academic Theater of Drama and Comedy on the Left Bank of the Dnipro
How Do We Say Goodbye?
"LA-VA" NGO
Multimedia performance “Planet Kherson”
“ArtPole Agency” NGO
“Without Experts” Podcast: “Kyiv's Musical Institutions” Season — Decentralizing Cultural Dialogue
“Buchach Youth Portal” NGO
Family Anatomy
Yana Kolodiichuk
Anthology of Dmytro Bortnianskyi’s Keyboard Music, Part One (recording of a performance on period instruments)
Nataliia Fomenko
Theater Agents
Tamara Trunova
Sonata for Solo Cello
Yurii Pikush
Expanding Choreoacoustic Method: From Movement to Voice
Illia Miroshnichenko
Psalms: “I Have My Jesus”
Nataliia Danshyna
Dance performance: Dancing Out Colonial Demons
Mariia Bakalo
Radical Romantic: finishing a music album
Tetiana Shamshetdinova
Poetry by Contemporaries in Music
Vitalii Kyrychenko
“After the Pause”—A Podcast About Musicians in the Military / Season 2
Dzvenyslava Safian
Let's Go Puppet: Introductory Intensive Course on the History and Theory of Puppet Theater
Kateryna Lukianenko
Crimean Tatar Songs in a Contemporary Context
Hennadii Sydorov
Draga ethno-band
Yurii Maslovskyi
Musical: Between Voice and Body
Olena Savchuk
Commissioning a new piece for solo saxophone and ensemble (orchestra) from a Ukrainian composer
Roman Fotuima
Physical theater performance. The parable “CYCLE.” Scaling up the project and organizing a tour across Ukraine
Iryna Tychyna
A Night of Two Performances by the LeRoy Dance Company
Olha Drobysh
Ternopilska St, 79034 Lviv
Yaryna Shumska
IGNEA
Olha Bohdanova
The Mermaid in the Rye
Vira Ibriamova-Syvoraksha
Exercises of Support
Nataliia Kravchunovska
Audio recording and release of Vitalii Vyshynskyi’s piano cycles: “Bagatelles” and “Asteroids: Musical Objects for White Keys and Some Black Ones”
Anastasiia Koziar
The Body of Medusa
Alisa Hladkova
Inclusive puppet theater based on the fairy tales of Hans Christian Andersen
Maksym Dobroliubov
Sergii Leontiev’s “Urban Dreams”: a recording and digital release of a mini-album of Ukrainian piano music with broad audience appeal
Daria Shutko
Mires
Dmytro Borysov
The Inferior Play
Marichka Havrysh
“City Beat” performance program
Kateryna Radushynska
Theatre hunter talks
Khrystyna Korol
ACT EDUCATIONAL PROGRAM
Daria Hordiichuk
DEREZA: Filming of a promotional teaser for a dark-folk choral performance
Antonina Vinnyk
Confidence (Zuversicht)
Vitalii Vyshynskyi
Proskuriv Live
Ihor Proshchuk
Album “Ivko. Milka. Stronko”—contemporary music for a domra duo
Alina Prokopenko
Ternopil landscape
Tereza Zavadska
Canceled Love
Valeriia Buradzhyieva
Creative Evening with Veterans
Maksym Parkhomenko
Die Aufgabe x Spielraum: Reclamation
Emma Khamzaeva
Workshop as part of the project “When Everything Falls Apart, I Hold Onto the Pole”
Hanna Vinohradova
Mini-album "Transformation"
Serhii Lazariev
Construction of a dance residency in Potush village, Vinnytsia Oblast. Roofing for the dance space
Ruslan Baranov
Spirit and Sound
Larysa Shuvalova
My dad went to school in Sevastopol
Dariia Lytvynenko
“Vlada-Vona” Study
Viktoriia Khoroshylova
MAGAY FIRE THEATER Theatrical Performance “Motanka”
«MAGAY FIRE THEATER» NGO
«Special Puppet Theater»
“Zurab Foundation” NGO
Et Lux, and darkness did not envelop him
Daria Maksymova
Concert series at the “Kachanivka” National Historical and Cultural Reserve
Paola Prokopenko
360 concert videos
Dmytro Burko
The City of Vynohrad
Yevseviia Ziakina
Introductory Course in Playback Theater in Zhytomyr
Anna Pohorielova
Maria Lui
Mariia Usenko
The liberated houses smell of pies
Mykola Naboka
YOKODO_ Concert and Presentation of the Tour Set_2026
Kateryna Yurchuk
Production “Dance of the Skeletons”
Andrii Shevchuk
EP "Ukrainian Calendar" by the Lockdown Trio project
Serhii Kadenko
Puppet Show “Mr. Shkarpetos”
Oleksii Kryvoruchko
Photo provided by Olena Apchel
Olena Apchel is an independent theater artist and director, performer, activist, playwright, cultural scientist, curator of art projects, PhD in Art History, volunteer, and military servicewoman (lieutenant). Olena was the chief director of the Lesya Ukrainka Theater in Lviv and the director of the Golden Gate Theater in Kyiv; co-author of the main exhibition of the "Territory of Terror" Memorial Museum of Totalitarian Regimes. In 2020–2022, she headed the social projects department at the Warsaw NOWY TEATR. In 2022–2023, Olena worked as a co-director of Theatertreffen, the largest theatre festival in the German-speaking world. In the spring of 2024, she joined the Ukrainian army and is currently serving in the National Guard of Ukraine.
Photo provided by Mariana Bondarenko
Mariana Bondarenko is Head of Music at the Ukrainian Institute in Kyiv, Ukraine, where she develops and leads international music programs promoting Ukrainian culture worldwide through cultural diplomacy and international cooperation. Holding a PhD in German Philology, she has more than 15 years of experience in the cultural sector, having worked with the Austrian Cultural Forum at the Embassy of Austria in Kyiv, Ukraine; the Goethe-Institut in Kyiv, Ukraine; German Films in Munich, Germany; and the University of Vienna, Austria.
Photo by Tetiana Yurchenko
Yurii Chekan is a musicologist with a PhD in music theory. Professor of the Department of Cultural Studies of the Ukrainian Catholic University (Lviv). Laureate of the Mykola Lysenko Prize of the Ministry of Culture of Ukraine. Author of monographs Music During the Great War: Chronicles of the Lviv Organ Hall (Lviv-Chernivtsi, Bukrek, 2025), The World As It Really Is… The Opera House in the Infrastructure of Musical Life (Lviv, 2024), Intonational Image of the World (Kyiv, 2009), National Symphony Orchestra: 100 Years of Service to Music (Kyiv, 2018); textbook Music Criticism: Theory and Methodology (Chernivtsi, 2007, co-authored with O. Zinkevych).
Photo by Pavlo Cheburei
Dr. Iryna Chuzhynova is a Ukrainian theatre scholar, curator, and cultural manager. She served as Program Director of the Ukrainian Shakespeare Festival (2024–2025) and previously curated the Les Kurbas Festival of Young Ukrainian Directing (2014–2016). From 2014 to 2019, she headed the NGO Theatre Platform. Throughout her career, she has collaborated with several major Ukrainian theatre institutions, including the Kyiv Academic Theatre of Drama and Comedy on the Left Bank of the Dnipro, Kyiv Academic Theatre Zoloti Vorota, and the Ivano-Frankivsk National Academic Drama Theatre named after Ivan Franko. Chuzhynova is the author of numerous critical, analytical, and public-facing texts on contemporary Ukrainian theatre and culture. She also worked as an expert for the “Culture and Arts” sector within the cultural policy development initiative RES POL. She is a member of the Coalition of Cultural Actors.
Photo by Oleksandr Plaksin
Serhii Dorofieiev is a cultural manager, curator of arts projects, and Managing Director of the Kyiv National Academic Molodyy Theatre.
He works in the fields of theatre management, international cultural partnerships, and the production of artistic projects. He collaborates with Ukrainian and European institutions and is involved in the development of theatre initiatives and touring programs. He is also an expert in cultural and grant programs, including programs of the Ukrainian Cultural Foundation.
Founder of the All-Ukrainian Theatre Festival “SvitOhliad” (2018–2021).
He headed the Luhansk Regional Academic Ukrainian Music and Drama Theatre (2015-2022) and the Sumy National Academic M. Shchepkin Theatre of Drama and Music Comedy (2022-2025).
Photo by Anastasiia Telikova
Oleksandr Drachuk is a grant program manager at House of Europe and co-founder of the Musicians Defend Ukraine Foundation. In 2015, under the artistic pseudonym Lesik Omodada, he founded the Shpytal Records recording studio, where he produced dozens of music albums and educational videos. In various roles, he implemented interdisciplinary cultural projects in Ukraine and Germany. Currently, he is a member of the bands Tik Tu and Pyrih i Batih as a manager and musician.
Photo by Artem Halkin
Anna Gadetska is a musicologist, co-founder and program director of Open Opera Ukraine. She studied, defended her PhD thesis, and currently works at the National Music Academy of Ukraine (Department of Cultural Theory and History). She is an expert in early music, musical theater, film soundtrack, and other performing arts. She has worked as a lecturer, curator, and moderator with various educational, cultural, and artistic initiatives, including the Cultural Project, the Early Music Festival in Lviv, Kyiv Mohyla Business School, Bouquet Kyiv Stage, KINO42, etc. Since 2023, she has been the program director of the Kyiv Baroque Festival launched by the National Philharmonic of Ukraine.
Photo by Tetiana Serhiienko
Anastasiia Haishenets is the Deputy Director General for International Relations at the Ivan Franko National Academic Drama Theater. She is a theater scholar, curator, and manager of international performing arts programs and projects. She has contributed to numerous publications on contemporary Ukrainian theater in Ukrainian and international publications. Previously, she served as the Head of Performing Arts at the Ukrainian Institute and as the coordinator of the Theater Laboratory at Mystetskyi Arsenal. She graduated from the I.K. Karpenko-Karyi Kyiv National University of Theater, Film, and Television with a degree in theater studies. She served as editor-in-chief of the Ukrainian Theater magazine published by the National Newspaper and Magazine Publishing House.
Photo by Elmira Shemsedinova
Mariia Kardash is a performer, researcher of movement and embodiment, and a doctoral student at the University of Music and Performing Arts in Graz. She is a graduate of the Choreomundus international master’s program and a co-organizer of the accompanying Choreo Dance Film Festival.
Photo by Ivan Zavertaliuk
Olga Kebas is a performer, choreographer, researcher, and contemporary dance professor. Curator (GogolFEST, Artil), organizer of cultural events, director and performer of numerous performances at festivals and cultural events in Ukraine, Poland, Lithuania, the Netherlands, and Germany (GogolFest, ArtPole, Zelyonka Fest, TEDxKyiv, Night at the Museum PinchukArtCentre, KyivMusicFest, Generator MALTA, MSTT, and others).
Photo by Aliona Lobanova
Svitlana Lenchenko is a manager with experience in international project management with a particular focus on development, culture, and diplomacy. She is a Head of Development and Strategic Partnerships at the Ukrainian Institute. Formerly, Head of Music at the Ukrainian Institute (2021–2023), artist manager, and concert producer (2012–2024). Project Manager for UHGI — Ukrainian History. A Global Initiative.
Photo provided by Olena Lybo
Olena Lybo is a theater scholar and lecturer at the Kharkiv National Kotlyarevsky University of Arts (theatre studies department). Member of UNIMA (Union Internationale de la Marionnette). Member of the National Union of Theater Workers of Ukraine. Founder of the Open Festival of Non-State Theaters “Kurbalesia” (2003–2015, Kharkiv). Founder of the R. Cherkashyn All-Ukrainian Competition of Professional Readers (2005–2016, Kharkiv). Expert of the Ukrainian Cultural Foundation (2020–2026). Expert of the All-Ukrainian Theater Festival-Award “GRA” (2020–2021).
Photo by Bohdan Yemets
Ostap Manulyak is a Ukrainian composer, performer, lector, and curator. Ph.D. docent (assist. prof.) of the composition department of the Lviv National Music Academy. Co-founder of Art Association NURT, director of the Festival of electroacoustic music VOX ELECTRONICA, and Experimental Educational Studio of Electroacoustic Music (EESEM) of Lviv Music Academy. Co-curator of the Festival of Audiovisual Art TETRAMATYKA.
Fellow of the Fulbright Program (Stanford, CA) and Gaude Polonia Scholarship Program
(Krakow).
Photo by Oleksandr Dolovov
Oleksandr Manshylin is a cultural manager, professor, choreographer, and researcher. Executive Director of the All-Ukrainian association “Contemporary Dance Platform.” Author of publications about contemporary dance for the magazines Tanets v Ukraini i sviti, Proscenium, Dance Studies, and others.
Photo by Kateryna Havryliv
Stas Nevmerzhytskyi is a graduate of the National Music Academy in Kyiv and a co-founder of The Claquers, a media outlet dedicated to classical music. From 2019 to 2024, he served as editor-in-chief of the classical music online radio station Radio Islandia, and from 2021 to 2024 as Deputy Director General for Marketing at the National House of Music. From April 2024 to October 2025, he served as a mortarman with the Brigade "Azov," carrying out combat missions.
Photo by Kostia Us
Viktor Ruban is a performer, director, choreographer, researcher, and coach, and holds a Ph.D. in Cultural Studies. Founder and director of Ruban Production ITP; co-founder, program director, and representative of Impulse Transformation Platform; Ukraine’s representative to the European Cultural Parliament; Global Connector 2026 by IETM, the international network for contemporary performing arts. He has worked with dance and movement for over twenty years as an artist, curator, educator, and producer.
Photo by Hanna Ostapenko
Veronika Skliarova is a cultural manager, theater producer, and curator of art and sociocultural projects. She is the program director of Parade-fest, a festival dedicated to the right to the city. She has produced projects such as Crimea, 5 a.m., Ukrainian Odyssey, and others. She is the founder of Anthology24—a collection of texts for the theater written after Russia’s full-scale invasion of Ukraine. She was a co-curator of the first Ukrainian Pavilion at the Avignon Off Festival, a jury member for the Polish Avrora Drama Award in Bydgoszcz, and a co-coordinator of the exhibition Kurbas. Workshops.
Photo by Raia Idrisova
Nadiia Sokolenko is a cultural manager. Previously, she worked as a theater critic, theater and festival manager (Taking the Stage, Kurbas Emerging Ukrainian Theater Directors Festival), curator, editor-in-chief of the Ukrainian Theater magazine, and curator of the Stage 6 theater space at the Oleksandr Dovzhenko National Center, and assistant director and playwright for theater projects by the Yara Artistic Group (Dim=Ev=Home, Tychyna, Zhadan, and the Dogs, Scythian Stones).
Photo by Denys Kotsiubynskyi
Tetiana Tizenberg is a choreographer, director, contemporary dance professor, initiator and curator of educational and artistic projects, and principal ballet mistress at the Municipal Theater “House of the Actor” in Zaporizhzhia.
Kateryna Alymova, Mykhailo Chedryk, Vasyl Lutsyk, Tetiana Melnychenko, Khrystyna Melnyk, Albert Saprykin, Mariia Tytova, Les Vynogradov