Villa Elisabeth by kulturbueroelisabeth
1 November 2024, 19:00
Kiezsalon x KCMD. Three-Part Concert in Berlin
Villa Elisabeth
Invalidenstraße 3, 10115 Berlin-Mitte
About
On 1 November 2024, Kyiv Contemporary Music Days in their first collaboration with Digital in Berlin present a three-part program at Villa Elisabeth under the umbrella of the Kiezsalon. The joint evening introduces the works of Ukrainian musicians and composers to a diverse Berlin audience, and is a pilot for future projects between KCMD and D/B.
The evening will consist of three 30-minute sets by Samuel Stoll, Antonii Baryshevskyi, and Heinali.
Samuel Stoll is a hornist and performer currently based in Berlin. Samuel’s work is surprising, versatile, and fascinating at every turn, incorporating an eclectic repertoire, unencumbered performance installations, and a number of artistic collaborators. Descriptions of some performances include: a man with horns wading through a fountain, a man opening mysterious envelopes as prompted by a disembodied voice, and a dazzling feat of gymnastics between embouchure and mouthpiece.
Samuel will play two specially commissioned pieces by Ukrainian composers Alla Zagaykevych and Boris Loginov.
Antonii Baryshevskyi is a Ukrainian pianist and a first-prize winner of the prestigious Arthur Rubinstein International Piano Master Competition, “Premio Jaen” and the F. Busoni International Piano Competition.
He gives master classes in Ukraine and abroad, as a guest professor at Davidsbündler Music Academy in The Hague, and is a regular member of the Landesakademie in Ochsenhausen. He graduated from the National Music Academy of Ukraine and École Normale de Musique de Paris where he studied with Professors Valerii Kozlov and Marian Rybicki. He also trained under Alina Sorkina, Ryta Donskaya, and Lily Dorfman.
Oleh Shpudeiko is a composer and sound artist who records as Heinali. In his core practice, Oleh reimagines medieval music with a modular synthesizer, an instrument informed by artistic research to improvise polyphony and monophony. Techniques are borrowed from medieval composers and theorists, as well as contemporary analog synthesis and generative music. His music connects ancient theory such as Providence and Contingency to the technology of the present and the universally sacred.
Since 2015, the Kiezsalon has offered a forum for innovative musical activity beyond genre boundaries. As an interface between avant-garde, advanced pop music, and interdisciplinary art, the series presents compact shows by artists of diverse genres, origin, and status. Following 10 years, the Kiezsalon has established itself as one of the most popular and successful series in Berlin, hosting more than 300 artists from 45 countries with ⅔ Berlin premieres.
The event will take place at Villa Elisabeth at Invalidenstraße 3, 10115 Berlin-Mitte.
Program
Samuel Stoll
Alla Zagaykevych — Song of Odisseus for Horn in F and electronics (2024)*
Boris Loginov — Sonetto che si dissolve tra i monti for Horn in F and electronics (2024)*
Hanna Hartman — Metusalem for Horn Solo with electronics (2024)
*World premiere, commissioned by Kyiv Contemporary Music Days and Digital in Berlin
Antonii Baryshevskyi
Maxim Shalygin — works for piano solo:
To All Alive (2024)
To All in Love* (2024)
To All Resurrected (2024)
*World premiere
Heinali
Organa (2024)
Kiezsalon x KCMD wird gefördert vom Musikfonds e.V. mit Projektmitteln der Beauftragten der Bundesregierung für Kultur und Medien. Mit freundlicher Unterstützung von dem Kultur Büro Elisabeth.